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Mini Tutorial | Three | Clean It Up

I know some people do video tutorials and I thought about it. But decided to keep it like this for now. Unless y’all are dying to hear my sexy man voice.:POk not really mannish- but I’ve had many emails saying that many of you much preferred to go the snip route than video route. If I get enough feedback in the future swinging towards the other way- I am happy to do video.:DI am also considering offering up an image with my tutorials so that you can literally play along- please let me know if you’d be interested in that. <3

So here we are with a step-by-step. If you have any questions about this tutorial or do not know how to use something mentioned in this tutorial- please ask in this post so that others can be helped. No such thing as a stupid question! There is a lot to read, so grab a cup of coffee!

So here we are going to take a purposefully overexposed image and show how amazing it is to 1) fix this in RAW and 2) how to edit so thoroughly in Lightroom that you only have to move to Photoshop to play for some fine tune tweaking. And that, my friends, saves you a whole lotta time if you have a set of images to work on. In a future tutorial I will cover batch processing a little bit but won’t touch on that here.

So here is my image:

Totally overexposed right? Let’s fix that little problem.

 

In this next step- I not only fixed the Exposure (see slider) until she was completely exposed correctly with no red blinkies (that shows clipped highlights), but I also warmed up the image some. I liked where my tint was but felt it was too cool – so I warmed it. You may need use the dropper to fix your white balance.

Lightroom has a little quirk that I found a work-around for. Even when you have the highlights marker checked (in the Histogram box), Lightroom still sometimes has some blown Reds (or greens or blues) even though it doesn’t show (but it shows in PS by passing the dropper over especially the cheeks/nose/forehead but other places too and seeing 249+ in the Reds/Greens/Blues). I automatically use the Recovery slider at 10 after adjusting the Exposure itself. Sometimes I use more but I personally never go over 30 (skin tones get gross and weird). We want NO blinkies on the face. Lightroom doesn’t have RGB the same way PS does so you can’t just ‘check’ like we do in PS. Annoying little quirk that I hope Adobe fixes one day but it’s not enough to make me stop using it!

Also for adding color globally- I use the Vibrance slider. It is so much kinder to white folks skin. We have a tendency to get orange faster (bleh) and Vibrance saturates color minus the extra orange. For people of color- I actually often prefer the Saturation slider. Play with it and find what suits you best. Just be warned that going over 10-15 in LR can sometimes blow the Reds out and make them look like hot molten neon magenta- especially for us Nikon folk (Nikon thing). So find a happy place with saturation/vibrance. And remember if you bump the color in Lightroom- take it easy in Photoshop with adding color.

I adjust the Tone Curve, Contrast, Blacks…I really bump up my Darks AND Shadows in the Tone Curve and rely on Contrast and Blacks to add contrast and pop. Take it easy with the Blacks and Contrast though ok? if you like crisp images- using a heavy hand on the Blacks, Contrast and even the Shadows (going – not + with the slider) can make the image look very heavy especially around the eyes. Remember you can always burn those lash lines later if they need more pop.

Next we are going to do a simple simple eye pop in Lightroom. So many people think it can’t be done- but it so can and EASIER than in Photoshop (depending on your methods). I turned my mask on in LR so I can see exactly what I’m ‘painting’.

So here was an eye pop in Lightroom.

You can actually go EVEN simpler than this by swiping the entire inside of the eye but you need to be careful of the Saturation setting.

If the person has some red eye (red veins etc) going on- you make them more red. Ewe.

Now let’s pop the background. Now THIS part is cool. No multiple layers one swipe! If you REALLY want to make the background pop urban style really push the Saturation, Clarity, Contrast and Exposure (to the negative) and paint it on. Adjust the sliders as needed even after painting. Super cool thing about doing this in Lightroom! Easy to adjust! If you need to vary up the effects of what you’re doing- simply click NEW every time you need to do a different effect with the Adjustment brush (it’s sorta like starting another mask layer in Photoshop).

Can I fix a little scratch or pimple here and there in Lightroom? Why, yes you can!

We’re ready to leave Lightroom!

Now I personally export as TIFF (you can do PSD too) and then pull it into Photoshop/Elements. After I am done editing in PS/PSE I do NOT flatten my image. I simply hit SAVE (not save as since I exported as PSD or TIFF) and it saves alllll my layers open.

Why do I do this? In case I or a client needs some little thing fixed. If it’s on a certain layer- isn’t it easier to go to the layer and tweak than RE-EDIT the entire thing?;)

Now here I check my skin tones. Making sure they are pleasing to me. Orange skin is yuck. Red is skin is yuck. It’s not at all flattering to the person in the image. This is the reason why I took the time to learn how to edit nice skin tones. <3 I’m not covering skin tones in this tutorial, other than to check them. Elements users disregard this portion.

I could tweak the skin tones a little more BUT this is close to her real skin tones and I prefer the person to look themselves even if that means the numbers are slightly ‘off’.

Now I check around for ‘hot spots’ or areas of overexposure.

When processing bright (like I often do) it’s important to do these AS YOU WORK so you can nip it in the bud as you go.

Elements users you CAN check this part!

 


So that’s a basic edit for me. I could leave it alone and be happy. But I want to play.

Now I run a simple action for fun, because I can. And my results:

See that wasn’t so hard was it?

Start to finish this took me less than 5 minutes to accomplish.

Once again if you have ANY questions about what I’ve covered in this tutorial, please ask! Preferably here, not in email so that your question can help others.

Kristy - March 10, 2011 - 5:55 pm

Amazing, great work :)

Mini Tutorial | Three | Clean It Up

I know some people do video tutorials and I thought about it. But decided to keep it like this for now. Unless y’all are dying to hear my sexy man voice.:POk not really mannish- but I’ve had many emails saying that many of you much preferred to go the snip route than video route. If I get enough feedback in the future swinging towards the other way- I am happy to do video.:DI am also considering offering up an image with my tutorials so that you can literally play along- please let me know if you’d be interested in that. <3

So here we are with a step-by-step. If you have any questions about this tutorial or do not know how to use something mentioned in this tutorial- please ask in this post so that others can be helped. No such thing as a stupid question! There is a lot to read, so grab a cup of coffee!

So here we are going to take a purposefully overexposed image and show how amazing it is to 1) fix this in RAW and 2) how to edit so thoroughly in Lightroom that you only have to move to Photoshop to play for some fine tune tweaking. And that, my friends, saves you a whole lotta time if you have a set of images to work on. In a future tutorial I will cover batch processing a little bit but won’t touch on that here.

So here is my image:

Totally overexposed right? Let’s fix that little problem.

 

In this next step- I not only fixed the Exposure (see slider) until she was completely exposed correctly with no red blinkies (that shows clipped highlights), but I also warmed up the image some. I liked where my tint was but felt it was too cool – so I warmed it. You may need use the dropper to fix your white balance.

Lightroom has a little quirk that I found a work-around for. Even when you have the highlights marker checked (in the Histogram box), Lightroom still sometimes has some blown Reds (or greens or blues) even though it doesn’t show (but it shows in PS by passing the dropper over especially the cheeks/nose/forehead but other places too and seeing 249+ in the Reds/Greens/Blues). I automatically use the Recovery slider at 10 after adjusting the Exposure itself. Sometimes I use more but I personally never go over 30 (skin tones get gross and weird). We want NO blinkies on the face. Lightroom doesn’t have RGB the same way PS does so you can’t just ‘check’ like we do in PS. Annoying little quirk that I hope Adobe fixes one day but it’s not enough to make me stop using it!

Also for adding color globally- I use the Vibrance slider. It is so much kinder to white folks skin. We have a tendency to get orange faster (bleh) and Vibrance saturates color minus the extra orange. For people of color- I actually often prefer the Saturation slider. Play with it and find what suits you best. Just be warned that going over 10-15 in LR can sometimes blow the Reds out and make them look like hot molten neon magenta- especially for us Nikon folk (Nikon thing). So find a happy place with saturation/vibrance. And remember if you bump the color in Lightroom- take it easy in Photoshop with adding color.

I adjust the Tone Curve, Contrast, Blacks…I really bump up my Darks AND Shadows in the Tone Curve and rely on Contrast and Blacks to add contrast and pop. Take it easy with the Blacks and Contrast though ok? if you like crisp images- using a heavy hand on the Blacks, Contrast and even the Shadows (going – not + with the slider) can make the image look very heavy especially around the eyes. Remember you can always burn those lash lines later if they need more pop.

Next we are going to do a simple simple eye pop in Lightroom. So many people think it can’t be done- but it so can and EASIER than in Photoshop (depending on your methods). I turned my mask on in LR so I can see exactly what I’m ‘painting’.

So here was an eye pop in Lightroom.

You can actually go EVEN simpler than this by swiping the entire inside of the eye but you need to be careful of the Saturation setting.

If the person has some red eye (red veins etc) going on- you make them more red. Ewe.

Now let’s pop the background. Now THIS part is cool. No multiple layers one swipe! If you REALLY want to make the background pop urban style really push the Saturation, Clarity, Contrast and Exposure (to the negative) and paint it on. Adjust the sliders as needed even after painting. Super cool thing about doing this in Lightroom! Easy to adjust! If you need to vary up the effects of what you’re doing- simply click NEW every time you need to do a different effect with the Adjustment brush (it’s sorta like starting another mask layer in Photoshop).

Can I fix a little scratch or pimple here and there in Lightroom? Why, yes you can!

We’re ready to leave Lightroom!

Now I personally export as TIFF (you can do PSD too) and then pull it into Photoshop/Elements. After I am done editing in PS/PSE I do NOT flatten my image. I simply hit SAVE (not save as since I exported as PSD or TIFF) and it saves alllll my layers open.

Why do I do this? In case I or a client needs some little thing fixed. If it’s on a certain layer- isn’t it easier to go to the layer and tweak than RE-EDIT the entire thing?;)

Now here I check my skin tones. Making sure they are pleasing to me. Orange skin is yuck. Red is skin is yuck. It’s not at all flattering to the person in the image. This is the reason why I took the time to learn how to edit nice skin tones. <3 I’m not covering skin tones in this tutorial, other than to check them. Elements users disregard this portion.

I could tweak the skin tones a little more BUT this is close to her real skin tones and I prefer the person to look themselves even if that means the numbers are slightly ‘off’.

Now I check around for ‘hot spots’ or areas of overexposure.

When processing bright (like I often do) it’s important to do these AS YOU WORK so you can nip it in the bud as you go.

Elements users you CAN check this part!

 


So that’s a basic edit for me. I could leave it alone and be happy. But I want to play.

Now I run a simple action for fun, because I can. And my results:

See that wasn’t so hard was it?

Start to finish this took me less than 5 minutes to accomplish.

Once again if you have ANY questions about what I’ve covered in this tutorial, please ask! Preferably here, not in email so that your question can help others.

Kristy - March 10, 2011 - 5:55 pm

Amazing, great work :)

Mini Tutorial | Two | White Balance in RAW

Thank you Destiny for your wonderful image submission! <3 xx

_________

I saw this image and noticed 2 things. One- adorable little baby boy. Two- this needed some white balance help.

Fixing White Balance in RAW is not only fixable but easily fixable. It’s forgivable. Shooting JPG and setting White Balance…well you get some wiggle room. But if you mess it up- it’s harder to fix and sometimes you can only make the best of the bad white balance. In RAW, you can fix it. In 2 shakes of a lambs tail.;)I try to find white or black and use that as my anchor. I sometimes even have my kids hold a white piece of paper up (when we’re in the shade) and just take a picture of them holding the white piece of paper. Doesn’t have to be perfectly focused or anything but at least I have a white object to use for that session. I’m not gadgety enough to buy a white balance disk like some. I like using paper.:)

So here is a RAW image. Focus is good. Exposure is good. White balance not good. Watch what magical thing happens when we click the white bal dropper and click the little baby boy’s sleeve on the white stripe.

So here is the SOOC RAW file.

Cutie little guy!

Now watch this bit of magic….

Yes. All I did was fix the white balance at this point. Amazing right? This is but one reason I love RAW.

Moving on….

I simply applied one of my all time favorite, most used and beloved (by me) preset I have… [bubbly]. *sigh*

and then…

The adjustment brush in Lightroom is like being able to use 6 layers at one time. It’s pretty awesome.

I often have 4-7 or so Adjustment Brush anchors (see that tiny little button looking thing about the little boy’s head? That’s the ‘anchor’.

I drop a new one, like I would a new layer in Photoshop or Elements.

And here we are all done. Now admit- that didn’t look hard at all. You know why? Because it wasn’t.:P

The really smart thing about Lightroom? Copy ALL or a few or just one of the settings (white balance, exposure, color, blacks etc ) from one image and Sync them to another image or 100 images…in seconds. You can’t do anything like it in Photoshop and certainly not in a seconds.

And the Before and After one last time.

Gorgeous shot! Thank you so much Destiny Frye for the wonderful submission!

Mini Tutorial | Two | White Balance in RAW

Thank you Destiny for your wonderful image submission! <3 xx

_________

I saw this image and noticed 2 things. One- adorable little baby boy. Two- this needed some white balance help.

Fixing White Balance in RAW is not only fixable but easily fixable. It’s forgivable. Shooting JPG and setting White Balance…well you get some wiggle room. But if you mess it up- it’s harder to fix and sometimes you can only make the best of the bad white balance. In RAW, you can fix it. In 2 shakes of a lambs tail.;)I try to find white or black and use that as my anchor. I sometimes even have my kids hold a white piece of paper up (when we’re in the shade) and just take a picture of them holding the white piece of paper. Doesn’t have to be perfectly focused or anything but at least I have a white object to use for that session. I’m not gadgety enough to buy a white balance disk like some. I like using paper.:)

So here is a RAW image. Focus is good. Exposure is good. White balance not good. Watch what magical thing happens when we click the white bal dropper and click the little baby boy’s sleeve on the white stripe.

So here is the SOOC RAW file.

Cutie little guy!

Now watch this bit of magic….

Yes. All I did was fix the white balance at this point. Amazing right? This is but one reason I love RAW.

Moving on….

I simply applied one of my all time favorite, most used and beloved (by me) preset I have… [bubbly]. *sigh*

and then…

The adjustment brush in Lightroom is like being able to use 6 layers at one time. It’s pretty awesome.

I often have 4-7 or so Adjustment Brush anchors (see that tiny little button looking thing about the little boy’s head? That’s the ‘anchor’.

I drop a new one, like I would a new layer in Photoshop or Elements.

And here we are all done. Now admit- that didn’t look hard at all. You know why? Because it wasn’t.:P

The really smart thing about Lightroom? Copy ALL or a few or just one of the settings (white balance, exposure, color, blacks etc ) from one image and Sync them to another image or 100 images…in seconds. You can’t do anything like it in Photoshop and certainly not in a seconds.

And the Before and After one last time.

Gorgeous shot! Thank you so much Destiny Frye for the wonderful submission!

My Processing | A Mini Tut

I can edit without presets. But I prefer to edit using presets because it helps keep my images uniform in color and processing. Even when the light changes- the same general flavor follows throughout.

My BEFORE:

a sooc (cropped)

My steps in Lightroom:

the following assumes you have already culled your sessions images and kept the best of the best and removed rejects.

1. Adjust White Balance and Exposure Slider. I personally shoot a little bright and often pull back about -.25 to -.69or so in LR with the Exposure slider. I also do this because my presets are often on the bright side, so this helps. For white balance I try to find something white or black (I seldom have grays in my images to use). I don’t trust LR to get it right. I use my eyes to judge in the end. I calibrate my monitors- if you don’t- do it. Otherwise trying to get pleasing skin tones is pointless. I sync settings as much as I can to apply these settings to my session images. Saves a TON of time.

AFTER adjusting White Balance and Reducing Exposure slider:

2. I look at the image- gauge the feel, the color, the lighting, location, clothing etc and decide where I want to go. I know my presets. I usually know which 2 or 3 I want to try on a set. After I try one- I reset using one of my preset resets (not the reset button) before trying another preset. Why? Most of my [resets] won’t reset white balance or exposure nor adjustment brush/gradient applications but WILL reset vital things like vignettes, brightness and tints. I pick the preset I want to use for the session/set.

3. I apply the preset to my images in the set/session using Sync, which is generally the fastest way.

4. Now I go image by image. Using the adjustment brush I: do eye pops, burn, dodge, selective saturation, remove red eye, whiten teeth, smooth skin, add or remove vignetting, adjust white balance (yes again). These are things I do not Sync (except the white balance- if I tweak it again I will usually reapply it via the Sync function on the images that share similar lighting).

5. I recheck my images. Do I still love them all? Need to crop a little? Tweak this or that?

6. If I am going right to a gallery for a client- I don’t go to PS. I will adjust white balance further only on images ordered. I export setting Lightroom to apply a Proof watermark, set the longest edge to 600, sharpen high for web and send to a Proof folder for that client. Images ordered get passed through Photoshop for sharpening and a final check on skin tones/white balance since it’s more precise than LR.

7. In Photoshop after Lightroom: If the images are getting posted for a tutorial, on my blog, Facebook or getting printed then I still prefer to pull them into Photoshop to check my CMYK on skin tones (and very quickly check, I simply pass the dropper across the forehead, chin and neck and glance at my numbers). For me this means: Generally keeping K at 0 in midtones, Y and M within 10 of one another with yellow equaling or being more, and C being 1/3 of Y. That’s my general check. I don’t find I usually have a lot of major skin tone issues once I get out of LR- I still sometimes find that I need to add more Reds because my Cyan is a bit high. I am not a skin tone nazi though. So if you are, this part would be picked apart more and you would likely disregard this portion. I aim for pleasing skin tones in general and I don’t always process ‘cleanly’ so skin tones won’t be perfect. I use the check to make sure I am close, use my eyes and let the rest go. In Elements- you can’t check the way we can in PS, so you may want to research another way.

My AFTER:

ended up warming slightly in Photoshop. all else was done in Lightroom.

i went a little color happy here using [sweet color] as my base

This is my process. Which varies from Photographer- and I would hope so. We’re like snowflakes.

No two should be alike.;)

If you found this post helpful…please tweet it or like it or even comment on the OJS FB page. Your ‘feedback’ shapes what I share and how it’s shared in the future. No likes or tweets or even comments will eventually result in removal of that tutorial. I want to make sure that all content on my Shoppe site is relevant and useful. <3 xx